The following article concerning Dumas' death, appeared in the
January 28, 1871 Every Saturday newspaper. In the same article appeared a note
"Alexandre Dumas fils
has been so affected by his father's death that he talks of
retiring from literature altogether."
ALEXANDRE DUMAS.
WE print on the first page of the present number a portrait of the great
romance writer and dramatist, whose death is an event of so much importance as to cause a profound
sensation even in the midst of the desperate struggle now in progress abroad. M. Dumas came of a
strangely mingled stock, which may account for the originality of his genius. His grandfather,
the Marquis de Pailleterie, belonged to the old noblesse of France, his grandmother was a
St. Domingo negress. His father,
M. Alexandre Davy Dumas,
served with distinction in the wars of
the First Napoleon, but after his death his family seems to have fallen into comparative poverty.
The subject of our present memoir was born at Villers-Cotterets, near Soissons, in 1803, and might
have been consigned to a lot of utter obscurity but for the kindness of General Foy. The young
Dumas possessed an accomplishment which is not always associated with literary genius, —he
wrote an excellent hand, and thus obtained a clerkship in the office of the Duke of Orleans's
secretary, with a salary of about £ 50 a year. England
may claim the honor of first stimulating his genius. He had already written a forgotten volume
called
"Nouvelles,"
but it was the sight of Charles Kemble in Hamlet which
set him in the path of success. He determined to write a drama free from the icy trammels of
classicism. His
Henri III. et sa Cour
was received with unbounded applause, the audience
thinking fit to compliment the author by hooting Racine. Hereupon followed a succession of
plays:
Charles VII.,
Christine,
Antony,
Richard Darlington,
Thérèse,
Angela, all of
which were equally successful. As a novelist M. Dumas attained no less celebrity. Who has
not read
"Monte Cristo" and the
"Three Musketeers" with its continuations,
"Twenty Years After" and the
"Vicomte de Bragolonne," and who can grow
weary of that wonderful
"Edmond Dantès," or of those glorious adventurers,
D'Artagnan, Athos, Porthos, and Aramis?
During the heyday of his popularity M. Dumas earned an income of
£ 30,000 a year. He wrote five feuilletons at once for five French papers. He kept
a staff of subordinates, who filled up the rough sketches of his plots. In short, he was the
fly-wheel of an unequalled machine for grinding out fiction by the bushel. Unfortunately,
the same vivid imagination which enabled him to portray all these wonderful romances led him
into all sorts of extravagances. He endeavored to live the magnificent life which he attributed
to his hero Monte Cristo, and thus he was always in pecuniary difficulties.
The other facts in M. Dumas's career may be briefly told. He
obtained the July Cross for his services during the crisis of 1830. In 1842 he married
Mlle. Ferrier,
an actress of the Porte St. Martin Theatre. He opened a theatre, he started
newspapers; he was a candidate for the National Assembly during the Revolution of 1848.
In 1857 he visited England during the general elections; in 1860 he was with
Garibaldi
in Italy, and wrote the great soldier's memoirs. His literary fecundity was unexampled,
the catalogue of his works amounting to 1,200 volumes. His death, which occurred on the
1st December, took place at Puys, near Dieppe, and was the result of a paralytic seizure.
In person M. Dumas betrayed his negro origin, he had an olive
complexion, broad nose, and frizzled hair; while he displayed the Ethiopian's fondness for
bright colors and dress-eccentricities. But he probably also owes to his negro parentage
that vivid imagination which renders him unique among modern writers.